Banksy – Weston Super Mare (Signed)
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Albert WILLEM
Alex Face
Aboudia
Blek Le Rat
Conor Harrington
Cranio
Charming Baker
David Shrigley
David Hockney
DaleAst
Damien Hirst
Dran
Dolk Lundgren
Edgar Plans
Eelus
Gerhard Richter
Gonzalo Borondo
Godwin Champs Namuyimba
Isshaq Ismail
Harland Miller
Jonas Wood
John Baptist Sekubulwa
Oli Epp
Philip Gerald
Space Invader
Stik
Stephen J. Powers
Tom Wesselmann
Kaws
Mr. Brainwash
Nick walker
Pejac
Pure Evil
Yoshitomo Nara
TrastorArt
Tracey Emin
Short Description
Without a doubt, the most popular graffiti artist in the world is Banksy, real identity ... And if you had looked at what Banksy says about himself you would be able to ... The idea of , "Look, I do things without permission, I set out my work in public ... "Graffiti is one of the few tools you have if you have almost nothing. And even if you don’t come up with a picture to cure world poverty you can make someone smile while they’re having a piss.
”Banksy (Banging Your Head Against a Brick Wall)"
We do have signed and unsigned Banksy artworks all with COA Certificate of Authenticity like; Banksy Girl with Red Balloon, Choose Your Weapon, Stop and Search, HMV, Litta Love is in The Air, Love Rat, Gangsta Rat, Nola White, Nola Grey, etc.
Banksy Street Art Specialists from 2007
Description
Banksy Weston Super Mare signed
Screenprint in colours, 2004,
signed and dated in black ink,
from the edition of 150,
numbered from the total edition of 750 in pencil,
150 signed
600 unsigned all numbered out of 750
on wove paper, printed and published by Pictures on Walls, London, with full margins
some with Pow stamp and some with out, signed on the right
Weston Super Mare was released in 2003 in the same horizontal size 100x35 cm and format as Have A Nice Day and Bomb Middle England
Whether plastering cities with his trademark parachuting rat, painting imagined openings in the West Bank barrier in Israel, or stenciling “We’re bored of fish” above a penguins’ zoo enclosure, Banksy creates street art with an irreverent wit and an international reputation that precedes his anonymous identity. “TV has made going to the theatre seem pointless, photography has pretty much killed painting,” he says, “but graffiti has remained gloriously unspoilt by progress.” Banksy has gained his notoriety through a range of urban interventions, from modifying street signs and printing his own currency to illegally hanging his own works in institutions such as the Louvre and the Museum of Modern Art. Most often using spray paint and stencils, Banksy has crafted a signature, immediately identifiable graphic style—and a recurring cast of cops, soldiers, children, and celebrities—through which he critically examines contemporary issues of consumerism, political authority, terrorism, and the status of art and its display.