is often called the "bad girl of British art" for her raucous public appearances and self-righteous art which are quite contrary to societal norms in England, and previous notions of femininity. She is best known for her deeply personal and confessional artwork that she promotes through her celebrity and use of the popular media. Personal traumatic events such as unreported rape, public humiliation, sexism, botched abortions, alcoholism, and promiscuity have been her topics. The quality of Emin's artwork is often contested, from the critique of expressionism, to the politics of female representation. However, it is this collapse of the identity of the artist and her work that begs for rigorous thought.
“The words went round and round and round in my mind and my body, until I knew they were no longer my words but something that had been carved into my heart.And now my soul was crying.”
Edition of 100
Lithographic print in 2 colours on Somerset 300gsm paper
90 x 70.5 cm (35.4 x 27.7 in)
Signed, numbered and dated by the artist.
Dated and numbered by artist